Written By: Benjamin Falbo

Moving on is never easy, but in the case of Nidia Martinez, we think she’s summarized her emotions in grand fashion. “Found a way” is a simple little song but one that oozes immense emotion throughout its brief 2-minute run time. The song boasts a tone that borders on both melancholy and reassuring all at the same time, which is honestly no easy feat for any artist regardless of age.

Martinez chooses to repeat the lyric, “I found a way, I found a way out… found a way out of your love,” a few times throughout the song. Based on that, it feels as though this song is referencing a less than pleasant relationship, one she’s been hoping to break off for some time.

There is an additional lyric that mentions, “We love to day things we don’t mean” which would likely indicate one or more arguments where some hurtful things were said. The key word in that lyrics though is “We,” meaning both partners likely said some unpleasant things. Showing both sides of a nasty breakup can often make for some stellar songs – GOTYE’s “Somebody That I Used To Know” comes to mind immediately.

Martinez’s emotional vulnerability is what truly bolsters this song and since the song doesn’t go into any greater detail. Martinez seems more than up to the task, so it’d definitely be interesting to see her dive into these complex emotions much more in the future.

While short in runtime, “found a way” is a cut above the average breakup song, made with an impressive amount of emotional resonance. If you are already a fan of Nidia Martinez and her work, then this song will make for more than another worthy addition to your ever-growing playlist.

August 18th, 2023, critically acclaimed musician Jon Batiste has just released his 7th studio album titled, “World Radio Music.” If you’re already familiar with his brand of jazz and R&B smoothness refined throughout his prodigal rise, expect more of the favored vocals, but with an international flavor.

Eclectic in nature, the title reveals its intention early with an opening radio-like dialogue by Jon, introducing himself as Billy Bob Bo Bob, in the track Hello, Billy Bob. Following with a foreshadowing track, Raindance (Ft. Native Soul) captures a feel similar to a world-traveling breeze, with an undertone of groove for any dancers listening.

As the album progresses its goal to capitalize on the rhythm, beautiful vocals begin to ride the wavelength as if inspired by gospel. Songs such as Be Who You Are (Ft. Camilo, JID, NewJeans), Worship, and later on MOVEMENT 18’ (Heroes) and more display a keen sense of personal introspection.

Filled with a sense of illumination and glory, the tones achieved wonderful cadences as well as being supported by ample opportunities to break the opaque lyricism and get down.

As the project continues, Batiste performs as a vocal chameleon, able to adjust from powerful to joyous in the span of a hook. It’s always pleased me to familiarize myself with Jon’s appreciation for happiness throughout his career, and that feeling is amplified on this album.

It seems as, Jon is one of the few popular artists that stand out for their elite ability to sound like they’re performing for the world.

Interludes and features bring a temporary catharsis between tracks like Clair de Lune (Ft. Kenny G), and Uneasy (Ft. Lil Wayne). There’s a reminiscent quality brought by the features, even those introduced to me by this project. Batiste has once more mystified a regular listener with his intense passion for the art combined with another fresh take from his piano skills.

Don’t sleep on Batiste’s lyrics. From strong anthems boarding on hymns, to subconscious funkiness, he provides whimsical words on Butterfly and Master Power that I feel could resonate deep to some perceptive listeners.

Overall, it may be said that World Radio Music has Earthly goals. With a humanistic specialty, Jon Batiste displays his ability to fuse classical elements with contemporary styles, creating a unique sonic palette, well-worth a listen.

WRITTEN BY: Gilbert Wake